Production – 4.5/5 * Engineering – 5/5 * Overall – 4.8/5
With a sound that pulls from that of Blink-182, New Found Glory, and many more pop-punk legends, Traditions is a blend of old and new pop punk legends, and still maintains a unique sound all their own. Hailing from Westfield, Mass., Traditions is already making waves on such sites as absolutepunk.net, and is bound to break new ground in the pop-punk scene with their newest release, “Cycles”, out on March 11th via Take This To Heart Records.
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KEY:
(2 tapes = Meh)
(3 tapes = Good)
(4 tapes = Really Good)
(5 tapes = Awesome)
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TRACKLIST
I love the high energy and harmonies this track starts out with. Pop punk through and through, this song has all the right elements – catchy lyrics, guitar and drum breakdowns, and chord changes that channel that typically heard in New Found Glory, old-school Blink 182, and Good Charlotte styles. This song is very well produced, and brings out the giggly teenager in me.
2. “Progression: Regression”
A bit more on the screamo side, this song displays a very slight hardcore edge that differs from the previous song. Still very poppy, the mix of harsh and melodic vocals blended with the chunky guitar riffs makes this song a stand-out track. I love the All-American Rejects-esque gang vocal breakdown, and the drum fills take this song to a new level. This song reminds me of the sounds and melodies of a typical Fall Out Boy record, but still carries a different style that makes it a “Traditions” track.
This song starts off with elements of a ballad, but then quickly transforms into a pop track. I must say I’m absolutely loving how the drums are recorded throughout this record thus far, as well as the guitar and vocal harmonies that sit in the background nicely. I hear more of a New Found Glory sound on this track, mixed with a bit of melodies that traditionally are heard from bands like Sugarcult. Not the most catchy lyric-wise, but the production is yet again flawless.
I love the guitar riff that starts this song off. It is very reminiscent of a Fall Out Boy or Thursday track, but done in their own way. I also love the vocal effects used here as well as how precisely the drums match the guitars here. There’s a lot of underlying guitar lines and effects in this song as well, which bring out a different sound not heard on the rest of the record so far. I love the production of this track as well, and the classic drum and screamo vocal breakdown in the bridge.
The most catchy track yet, the intro reminds me of New Found Glory’s record, “My Friend Over You”, but then it quickly changes to more of a Thursday or Taking Back Sunday type vibe. I love the lyrics on this one; the verses bring a different energy than the chorus, yet it somehow still matches and blends very well. I also love the random drum and guitar breakdown that leads into the pop-centric chorus. Another greatly produced track, its high energy makes me want to jump up and down and back and forth, without a care in the world. Again, if I were a teenager you could label me giddy. A great end to a great pop-punk record!